Articles

Application and Effects of Music Appreciation Model for Emotional Development

AUTHOR :
Su-Young Bae
INFORMATION:
page. 69~88 / 2021 Vol.50 No.2
e-ISSN 2713-3788
p-ISSN 1229-4179
Received 2020-11-30
Revised 2021-01-13
Accepted 2021-04-18
DOI https://doi.org/10.30775/KMES.50.2.69

ABSTRACT

The purpose of this study was to find out the effects of applying the Music Appreciation Model for Emotional Development (MAMED). A qualitative case study approach was employed and data were collected through two self-reported emotion charts, two music appreciation reports, and one final reflection paper from each student. The results are first, 83.78% of the students answered that their emotional experiences were different in emotivist and cognitivist music listening conditions. Second, the students were able to improve their emotion recognition and emotion regulation through emotivist and cognitivist music listening. Third, the students were able to further concentrate on and better understand music through emotivist and cognitivist music listening.

Keyword :

REFERENCES


  1. Alessandri, S. M., & Lewis, M. (1996). Differences in pride and shame in maltreated and nonmaltreated preschoolers. Child Development, 67(4), 1857-864. https://doi.org/10.2307/1131736 [Crossref]
  2. Bae, S. Y. (2020). A study on music appreciation for adolescent’s emotional development. Journal of Music Education Science, 43, 169-87. https://doi.org/10.30832/JMES.2019.43.171 [Crossref]
  3. Bang, E. Y. (2012). The effect of multi-cultural education through music appreciation activities on emotional intelligence improvement. Korean Journal of Research in Music Education, 41(3), 181-204.
  4. Blood, A. J., & Zatorre, R. J. (2001). Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proceedings of the National Academy of Sciences, 98(20), 11818-11823. https://doi.org/10.1073/pnas.191355898 [Crossref]
  5. Choi, E. S. (2010). The emotional identification and expression abilities improvement program. Doctor thesis, Ewha Womans University.
  6. Choi, M. Y. (2018). The effect of elementary school music subject related SEL program applied by structure-centered cooperative learning. Korean Journal of Research in Music Education, 47(2), 211-235. https://doi.org/10.30775/KMES.47.2.09 [Crossref]
  7. Cole, P. M., Teti, L. O., & Zahn-Waxler, C. (2003). Mutual emotion regulation and the stability of conduct problems between preschool and early school age. Development and Psychopathology, 15, 1-18. https://doi.org/10.1017/S0954579403000014 [Crossref]
  8. Davis, M. H., & Franzoi, S. L. (1991). Stability and change in adolescent self-consciousness and empathy. Journal of Research in Personality, 25, 70-87. https://doi.org/10.1016/0092-6566(91)90006-C [Crossref]
  9. Denham, S. A. (2007). Dealing with feelings: How children negotiate the worlds of emotions and social relationships. Cognition, Brain, Behavior, 11(1), 1-48.
  10. Dingle, G. A., Hodges, J., & Kunde, A. (2016). Tuned in emotion regulation program using music listening: Effectiveness for adolescents in educational settings. Frontiers in Psychology, 7, 859-868. https://doi.org/10.3389/fpsyg.2016.00859 [Crossref]
  11. Erber, R. (1996). The self-regulation of moods. In L. L. Martin & A. Tesser (Eds.), Striving and feeling: Interactions among goals, affect, and self-regulation (pp.251-275). Mahwah, NJ: Lawrence Erlbasum Associates, INC.
  12. Gabrielsson, A. (2002). Emotion perceived and emotion felt: Same or different? Musicae Scientiae, 5(1), 123-147. https://doi.org/10.1177/10298649020050S105 [Crossref]
  13. Halberstadt, A. G., Denham, S. A., & Dunsmore, J. C. (2001). Affective social competence. Social Development, 10(1), 79-119. https://doi.org/10.1111/1467-9507.00150 [Crossref]
  14. Han, G. Y., Jo, S. C., & Han, K. H. (2017). A study on the effect of basic psychological needs on emotional adaptation of college students: Focusing on ensemble classes. Korean Journal of Research in Music Education, 46(3), 147-170. https://doi.org/10.30775/KMES.46.3.07 [Crossref]
  15. Hunter, P. G ., & Schellenberg, E. G . (2010). Music and emotion. In M. R. Jones, R. R. Fay, & A. N. Popper (Eds.), Music perception (pp. 129-164). New York: Springer. https://doi.org/10.1007/978-1-4419-6114-3_5 [Crossref]
  16. Juslin, P. N., & Laukka, P. (2004). Expression, perception, and induction of musical emotions: a review and a questionnaire study of everyday listening. Journal of New Music Research, 33(3), 217-238. https://doi.org/10.1080/0929821042000317813 [Crossref]
  17. Juslin, P. N., & Sloboda, J. A. (2001). Communicating emotion in music performance: A review and theoretical framework. In P. N. Juslin (Ed.), Music and emotion: Theory and research (pp. 307-331). New York: Oxford University Press.
  18. Juslin, P. N., & Västfjäll, D. (2008). Emotional responses to music: The need to consider underlying mechanisms. Behavioral and brain science, 31, 559-621. https://doi.org/10.1017/S0140525X08005293 [Crossref]
  19. Kivy, P. (1980). The corded shell. Princeton, NJ: Princeton University Press.
  20. Kivy, P. (1990). Music alone: Philosophical reflections on the purely musical experience. Ithaca, NY: Cornell University Press.
  21. Kivy, P. (2001). New essays on musical understanding. Oxford: Clarendon Press.
  22. Konečni, V. J. (2007). Music and emotion: An empirical critique of a key issue in the philosophy of music. Proceedings of the 5th International Conference: Person, Color, Nature, Music, 31-40.
  23. Lee, Y., & Lee, K. Y. (2018). A meta-analysis on the effects of music programs for young children’s development. Korean Journal of Research in Music Education, 47(3), 121-145. https://doi.org/10.30775/KMES.47.3.06 [Crossref]
  24. Lundqvist, L. O., Carlsson, F., Hilmersson, P., & Juslin, P. N. (2009). Emotional response to music: experience, expression, and physiology. Psychology of Music, 37(1), 61-90. https://doi.org/10.1177/0305735607086048 [Crossref]
  25. Malatesta, C. Z., & Wilson, A. (1988). Emotion cognition interaction in personality development: A discrete emotions, functionalist analysis. British Journal of Social Psychology, 27, 91-112. https://doi.org/10.1111/j.2044-8309.1988.tb00807.x [Crossref]
  26. Mayer, J. D., & Salovey, P. (1997). What is emotional intelligence? In P. Salovey & D. Sluyter (Eds.), Emotional development and emotional intelligence: Implications for educators (pp. 3-31). New York: Basic Books.
  27. McKinney, C. H., Antoni, M. H., Kumar, M., Tims, F. C., & McCabe, P. M. (1997). Effects of guided imagery and music (GIM) therapy on mood and cortisol in healthy adults. Health Psychology, 16(4), 390-400. https://doi.org/10.1037/0278-6133.16.4.390 [Crossref]
  28. Meyer, L. B. (1956). Emotion and meaning in music. Chicago, IL: University of Chicago Press.
  29. Montag, C., Reuter, M., & Axmacher, N. (2011). How one's favorite song activates the reward circuitry of the brain: Personality matters!. Behavioural brain research, 225(2), 511-514. https://doi.org/10.1016/j.bbr.2011.08.012 [Crossref]
  30. Ogg, M., Sears, D. R. W., Marin, M. M., & McAdams, S. (2017). Psychophysiological indices of music-evoked emotions in musicians. Music Perception, 35(1), 38-59. https://doi.org/10.1525/mp.2017.35.1.38 [Crossref]
  31. Palermo, R., O’Connor, K. B., Davis, J. M., Irons, J., & McKone, E. (2013). New tests to measure individual differences in matching and labelling facial expressions of emotion, and their association with ability to recognise vocal emotions and facial identity. PloS one, 8(6), e68126. https://doi.org/10.1371/journal.pone.0068126 [Crossref]
  32. Plutchik, R. (1984). Emotions and imagery. Journal of Mental Imagery, 8, 105-111.
  33. Resnicow, J. E., Salovey, P., & Repp, B. H. (2004). Is recognition of emotion in music performance an aspect of emotional intelligence? Music Perception, 22(1), 145-158. https://doi.org/10.1525/mp.2004.22.1.145 [Crossref]
  34. Ryu, E. M., & Yang, O. S. (2016). Development and application of the music activity program for infant’s social-emotional development. Korean Journal of Research in Music Education, 45(2), 95-123.
  35. Saarikallio, S., Vuoskoski, J., & Luck, G. (2014). Adolescents’ expression and perception of emotion in music reflects their broader abilities of emotional communication. Psychology of Well-Being, 21(4), 1-16. https://doi.org/10.1186/s13612-014-0021-8 [Crossref]
  36. Saarni, C. (2000). Emotional competence: A developmental perspective. In R. Bar-on & J. D. A. Parker (Eds.), The handbook of emotional intelligence: Theory, development, assessment and application at home, school, and in the workplace. San Francisco, CA: Jossey-Bass.
  37. Salovey, P., Bedell, B. T., Detweiler, J. B., & Mayer, J. D. (1999). Coping intelligently: Emotional intelligence and the coping process. In C. R. Snyder (Ed.), Coping: The psychology of what works (pp. 141-164). New York: Oxford.
  38. Salovey, P., Detweiler-Bedell, B. T., Detweiler-Bedell, J. B., & Mayer, J. D. (2008). Emotional intelligence. In M. Lewis, J. M. Haviland-Jones, & L. F. Barrett (Eds.), Handbook of Emotions (3rd ed., pp. 533-547). New York: Guilford Press.
  39. Sharman, L. S., & Dingle, G. A. (2015). Extreme mental music and anger processing. Frontiers in Human Neuroscience, 9, 272. https://doi.org/10.3389/fnhum.2015.00272 [Crossref]
  40. Sittler, M. C., Cooper, A., & Montag, C. (2019). Is empathy involved in our emotional response to music? The role of the PRL gene, empathy, and arousal in response to happy and sad music. Psychomusicology: Music, Mind, and Brain, 29(1), 10-21. https://doi.org/10.1037/pmu0000230 [Crossref]
  41. Smith, C. A., & Lazarus, R. S. (1993). Appraisal components, core relational themes, and the emotions. Cognition and Emotion, 7, 233-269. https://doi.org/10.1080/02699939308409189 [Crossref]
  42. Storm, C., & Storm, T. (1987). A taxonomic study of the vocabulary of emotions. Journal of Personality and Social Psychology, 53(4), 805-816. https://doi.org/10.1037/0022-3514.53.4.805 [Crossref]
  43. Taruffi, L., Allen, R., Downing, J., & Heaton, P. (2017). Individual differences in music-perceived emotions. Music Perception: An Interdisciplinary Journal, 34(3), 253-266. https://doi.org/10.1525/mp.2017.34.3.253 [Crossref]
  44. Vempala, N. N., & Russo, F. A. (2013). Exploring cognitivist and emotivist positions of musical emotion using neural network models. In R. L. West & T. C. Stewart(Eds.), Proceedings of the 12th International Conference on Cognitive Modeling(pp. 257-262). Ottawa, ON: Calerton University.
  45. White, E. L., & Rickard, N. S. (2015). Emotion response and regulation to “happy” and “sad” music stimuli: Partial synchronization of subjective and physiological responses. Musicae Scientiae, 20(1), 11-25. https://doi.org/10.1177/1029864915608911 [Crossref]

Archives

(53 Volumes, 852 Articles)
view all volumes and issues

Author Fee

Review Fee: 90,000 won

Publication Fee: 200,000 won (+ 10,000 won, when exceeding 20 pages)

Bank Account: Post Office 101220-02-048775 (KMES, Daneun Kwon)