ABSTRACT

This study examines the contribution of N. Varfolomeyeff, a Russian diaspora musician, in shaping the development of music education and orchestration of national songs in Indonesia during the mid-20th century. Asa graduate of the Moscow Conservatory who settled in Indonesia in the 1920s, Varfolomeyeff played a significant role in formal music education through his work at the Indonesian School of Music (SMIND) in Yogyakarta, as well as in orchestrating patriotic and national songs. The research employs a historical-descriptive approach, with data collected through literature review, archival documentation, and in-depth interviews with eight informants—musicians and educators who had direct interactions with Varfolomeyeff. The findings reveal that Varfolomeyeff successfully integrated Western musical idioms with Indonesian nationalism, producing orchestral arrangements that were both majestic and grounded in local musical expression. Beyond his technical contributions, Varfolomeyeff's pedagogical legacy emphasized discipline, perseverance, and a deep appreciation for music as a medium for character development. This study underscores the importance of preserving music history archives and highlights the critical role of diaspora musicians in the formation of national musical identity.

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